Arthur Miller’s Missing Act

No photograph of him has ever been published, but those who know Daniel Miller say that he resembles his father. Some say it’s the nose, others the mischievous glimmer in the eyes when he smiles, but the most telling feature, the one that clearly identifies him as Arthur Miller’s son, is his high forehead and identically receding hairline. He is almost 41 now, but it’s impossible to say whether his father’s friends would notice the resemblance, because the few who have ever seen Daniel have not laid eyes on him since he was a week old. When his father died, in February 2005, he was not at the funeral that took place near Arthur Miller’s home, in Roxbury, Connecticut. Nor was he at the public memorial service that May, at Broadway’s Majestic Theatre, where hundreds of admirers gathered to pay homage to his father, who was, if not the greatest American playwright of the last century, then certainly the most famous. In the days after his death, at the age of 89, Arthur Miller was eulogized around the world. Newspaper obituaries and television commentators hailed his work—including those keystones of the American canon Death of a Salesman and The Crucible—and recalled his many moments in the public eye: his marriage to Marilyn Monroe; his courageous refusal, in 1956, to “name names” before the House Un-American Activities Committee; his eloquent and active opposition to the Vietnam War; his work, as the international president of pen, on behalf of oppressed writers around the world. The Denver Post called him “the moralist of the past American century,” and The New York Times extolled his “fierce belief in man’s responsibility to his fellow man—and [in] the self-destruction that followed on his betrayal of that responsibility.”
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